thy sheep shall take no harm is a mechanism for observation, availing itself of existing complex connections between three interrelated works. Combinatory elements trigger the production of more images which become departure points for the proliferation of yet more images, achieved via an ongoing, automatic photographic process.

Under ever-present surveillance, the proliferation of images is pervasive and overwhelming. Irreconcilability between interpretations and ambiguities of images erode stability; temporal disruptions and shifting phenomenological perspectives disrupt the possibility of arriving at a simple definition.